Your put downs hurt me,
the way you shaped the narrative,
through flicked brush lines,
with every time you drew me
small, invisible,
weak, stale, insignificant,
frail, feeble,
like I wasn’t an equal but
a project that just needed
a few more lines,
a bit more refinement,
some parts rubbing out,
to be replaced with
your own warped art.
But what hurt more
was when I started to agree.
When I started to pick up the brush
and scrub away the previous lines.
When I fell back down a hole
I’d spent so long climbing.
You were projecting
a false image upon me,
you layered up every detail,
every smeared brush stroke,
I was a canvas for you to emote
with your own self-doubt.
But my own self doubt
was painting it all as true.
And that hurt more
than any extra coat could do.
You tried to implant falsehoods,
telling me what I was doing, when
in truth your mind
was lying to us both.
You saw only the hurt
that someone could do,
blind to the truth
sat in front of you.
But you painted me
with so many different layers
that I was no longer there,
I was just a facade
of the man I could be.
I started to see myself
as an acrylic reprint,
not the me I’d already inked
through my life previously.
I’ve always believed
I was wearing a mask.
Putting on a persona,
to cope with the world.
But after peeling the layers
of paint from my skin,
I’ve begun to realise
that the face staring back
at me, in flakes of dried fear,
is the mask that you
painted upon me,
and the true person beneath
is the one happy in their skin.